Essay: "Frank Hurley: The Man Who Made History" by Simon Nasht
Simon Nasht’s Frank Hurley: The Man Who Made History (2004) creates a discussion around the ethical and moral nature of Hurley’s work through its rediscovery made by the modern audience. Nasht questions the true role of photography, presenting two sides; one that photography is meant to be historic and a realistic snapshot of the subject and the other with a more artistic and emotional representation of the subject. Nasht presents the negative view towards Hurley’s work through the use of experts – which add to the arguments credibility – whom criticise Hurley’s photographs as “elaborate concoctions” rather than presenting the ‘real’ images that was necessary of a photographer and describe him as “a showman, a performer”. The description of his photographs reveal a perspective that his photos are overemphasised and exaggerated, whilst also highlighting, through negative connotations of magic and fabrication, that there is a lack of realism in his work. Nasht further emphasises ...
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