Essay: "Dracula" by Bram Stoker

“Just over the external jugular vein there were two punctures, not large, but not wholesome looking. There was no sign of disease, but the edges were white and worn-looking, as if by some trituration”

This idea of gothic fiction that is sexual perversion and the damsel in distress has been used throughout the instance that follows the transfusion of blood to Lucy. The holes on Lucy’s neck represent the penetration into her vital fluids that is her blood – however in this instance and throughout Dracula, the vital fluid is more representative of seminal fluid, which also like blood, provides “life”. This representation of seminal fluid is further encouraged through the description of the edges of the holes being “white and worn-looking”. The word trituration is the act rubbing, grinding or bruising – often used to describe pharmacology processes but in this instance it has been used to further emphasise the gothic feature of sexual perversion by representation of sexual intercourse. The holes are situated on her neck, which is typically an area that is kissed during foreplay, before intercourse. However, this is not a hickey of sorts, it’s a bite.  This sexual subversion through the representation of the holes is seen - where something which is normally loving (kissing) is turned into something that is hateful, painful and sadistic (biting). This has been used by Stoker to show the transgression of sexual intercourse.

This sexual transgression can be seen during the transfusion itself “he is so young and strong and of blood so pure we need not defibrinate it”. This idea of the transfer of fluids, which represent the reproductive fluids has been used to show that the act of sex is impure itself, with Arthur’s blood being pure, that is, he’s still a virgin. We can see this infiltration after the transfer of fluids having a negative effect on Arthur “for the loss of blood was telling on Arthur, strong man as he was”. The transfusion itself is a double entendre with the first being obviously the act of passing blood but the second as being the act of sexual intercourse itself with the passing of seminal fluid. Following this transfusion, the next day Lucy is seen to be “a different being from what she had been before the operation” giving room for the audience to interpret her  “happy vivacity” being due to sexual intercourse.

Stoker has used, a female character, to undergo this ‘distress’. This is typical of gothic fiction with females usually represented as passive victims rather than their male counterparts whom are active and aggressive. Lucy in this instance is changing into a vampire (with vampires representing the transgression of values and beliefs); she is a damsel in distress. If we look earlier to previous characterisations of Lucy, we see that she is independent and that she embodies many of the feminist and confident characteristics that are not befitting to the traditional view of women being timid and obedient. Stoker has used Lucy in distress to create sympathy and catharsis in the viewer, bringing to life the issue of misogynism (female oppression) and hatred towards this progressive proliferation. At the turn of the century, women were demonised for their more liberal view towards sex and being more independent. It is safe to say, that Stoker has made Lucy befall to this “illness” because of her more liberal behaviour.

This idea of gender roles can be further seen when Van Helsing leaves to get his books, Dr. Seward is left to look after her “Remember, she is your charge”. This is a transgression of sexual identity with the traditional gender roles of care and comfort befalling women rather than men. Earlier, we see Van Helsing saying that “We are the best nurses, you and I”. This is the gothic feature of gender transgression, with the majority of the nursing profession being occupied by women and it was seen as androgynous for men to be nurses at the time.       
           

In this instance that is during and following the transfusion of blood to Lucy, we see the sexual overtones that is representative of the Gothic Features of the transgression of values as well as the challenge of traditional gender roles feminism, each of which comment on the context of the time, with feminism and female liberty being oppressed and sexual openness being looked down upon.


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