Essay: James Malcolm Rymer's "Varney the Vampyre"

Supernatural elements have been used in Varney the Vampyre to create fear and suspense. During the time the story was written, Britain was undergoing a change. There was a separation between religion and science, with those pertaining to religion still believing in supernatural beings. This belief is exacerbated by the developments in science and the understanding death, where it was rumoured that scientists had the ability to bring back the dead and mess with the natural process of life.  Varney the Vampyre develops on top of this belief through the characterisation of the Vampyre. Rymer introduces a very stereotypical vampire that fits into traditional archetype. Vampires were undead supernatural creatures that had very strong occult and religious links. They are an embodiment of transgression, symbolising the search for identity that was present in ever-changing Britain. This is shown in the story through the vivid description of the Vampyre’s menacing character “It is perfectly white – perfectly bloodless. The eyes look like polished tin; the lips are drawn back…fearful-looking teeth”. These characteristics were mysterious and uncanny which is a major gothic element. Gothic literature usually delved into the weirdness or the strange/supernatural characteristics of people due to the psychological fear of the unknown.


 Such is present through the use of pathetic fallacy seen prominently at the beginning of the story. “The solemn tones of an old cathedral clock have announced midnight a strange death-like stillness pervades all nature”. The use of pathetic fallacy creates an eerie feeling that stems from our fear of darkness that has transcended time.  The use of the word “death” also emphasises the dark mood of the story. The mood of the story is set through the use of pathetic fallacy and the negative connotations. It is a mood of fear and eeriness. This helps create catharsis in the reader, a major element of the gothic genre. The gothic movement and the gothic genre existed at a time of change, where the movement of romanticism was apparent. This was a shift away from the neo-classical period of reason and it brought about more emotional and personal feelings into stories. The early gothic literature adopted this catharsis ideal very quickly and as such it has become a major element of gothic fiction.


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